currently at Artpace
Lu Chunsheng
Taryn Simon
Richie Budd

Kehinde Wiley
international artist-in-residence

New Works: 08.3
Nov 6, 2008–Jan 11, 2009

curated by Hans-Ulrich Obrist
Co-Director, Exhibitions and Programs and Director of International Projects, Serpentine Gallery, London, England

Lu Chunsheng - Shanghai, China
Chinese artist Lu Chunsheng’s video and photographic works integrate documentary-style imagery with fantasy-based narratives to hinge the border between reality and fiction. His characters explore absurd landscapes, ebbing in and out of worlds defined by transition and change. Chunsheng employs traditional methods of Chinese filmmaking; through this time-honored method the artist amplifies his surreal aesthetic, resulting in a highly theatrical, disorienting presentation. His narratives are steeped in symbolism, mysteriously avoiding definition and coyly defying categorization.

Taryn Simon - New York, NY
Taryn Simon’s calculated, formal photographs, taken with a large-format 4x5 camera, combine provocative aesthetic with informative narrative. Her images give stage to people, places, and topics that are otherwise overlooked. Simon’s recent series An American Index of the Hidden and the Unfamiliar, aims “to look inward–to find the hidden and unfamiliar, the out-of-view and off-the-radar within American borders.” At a time when America has focused much of its energy on searching for hidden locations outside of its borders, Simon has turned a thoughtful eye toward the undefined American way of life.

Richie Budd - San Antonio, TX
San Antonio-based artist Richie Budd fuses together a multitude of objects to create sensory interactive sculptures. By spewing foam, popping popcorn, and emitting steam Budd’s tangled masses of electronics, everyday objects, and lights evoke emotional reaction similar to a Significant Emotional Experience (S.E.E.), a term coined by sociologist Dr. Morris Massey that defines “any major, fully associated, highly charged emotional event wherever it occurs.” Budd’s installations result in a three-fold experiential process: first, stimulation; second, association and imprint; and finally, recollection through trigger stimuli encountered after the interaction.

hudson (show)room

Kehinde Wiley: The World Stage: Africa, Lagos ~ Dakar
January 15–May 03, 2009
Organized by The Studio Museum in Harlem, The World Stage: Africa, Lagos ~ Dakar features ten new paintings from Kehinde Wiley’s multinational “The World Stage” series. The artist is known for his stylized paintings of young, urban African-American men in poses borrowed from eighteenth- and nineteenth-century European figurative paintings, a practice he started in the early 2000s while an artist in residence at the Studio Museum. Over the last two years, Wiley has expanded his project by living and working abroad; he temporarily relocates to different countries and opens satellite studios to become familiar with local culture, history and art. “The World Stage” series is the ongoing outcome of these travels.

Related Events

Opening Reception and Walk-Thru: Kehinde Wiley
January 15, 2009
6:30-8:00 p.m.

Brown Bag Lunch: Kehinde Wiley
February 25, 2009
Noon- 1:00 p.m.

 
 
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